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	<title>Comments for DocumentaryTech</title>
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	<link>http://documentarytech.com</link>
	<description>Exploring techniques and technology in documentary film</description>
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		<title>Comment on Kickstarting the cheetahs by Kickstarting the cheetahs : DocumentaryTech &#124; Bbc News Live</title>
		<link>http://documentarytech.com/?p=8878&#038;cpage=1#comment-32017</link>
		<dc:creator>Kickstarting the cheetahs : DocumentaryTech &#124; Bbc News Live</dc:creator>
		<pubDate>Wed, 15 Feb 2012 10:36:58 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8878#comment-32017</guid>
		<description>[...] Source: http://documentarytech.com/?p=8878 [...]</description>
		<content:encoded><![CDATA[<p>[...] Source: <a href="http://documentarytech.com/?p=8878" rel="nofollow">http://documentarytech.com/?p=8878</a> [...]</p>
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		<title>Comment on Pondering the meaning of &#8216;documentary&#8217; in the Age of Irony by locoyokel</title>
		<link>http://documentarytech.com/?p=4823&#038;cpage=1#comment-31820</link>
		<dc:creator>locoyokel</dc:creator>
		<pubDate>Wed, 07 Dec 2011 08:32:36 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=4823#comment-31820</guid>
		<description>The documentary film has never been beholden to calls for 100% accuracy.  From &quot;Nanook of the North&quot; to &quot;The Plow That Broke the Planes,&quot; to &quot;Land Without Bread,&quot; the &quot;facts,&quot; as presented by documentary filmmakers have always been treated as more or less mutable since the very beginning of the genre.  Upsetting, maybe, but it&#039;s just the historical reality.  Maybe &quot;Exit&quot; has taken contrivance to another level, but that&#039;s probably debatable.</description>
		<content:encoded><![CDATA[<p>The documentary film has never been beholden to calls for 100% accuracy.  From &#8220;Nanook of the North&#8221; to &#8220;The Plow That Broke the Planes,&#8221; to &#8220;Land Without Bread,&#8221; the &#8220;facts,&#8221; as presented by documentary filmmakers have always been treated as more or less mutable since the very beginning of the genre.  Upsetting, maybe, but it&#8217;s just the historical reality.  Maybe &#8220;Exit&#8221; has taken contrivance to another level, but that&#8217;s probably debatable.</p>
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		<title>Comment on The feature-length fallacy by Q&#38;A with documentarian Edward Delaney &#124; JONATHAN MICHELS</title>
		<link>http://documentarytech.com/?p=8662&#038;cpage=1#comment-29689</link>
		<dc:creator>Q&#38;A with documentarian Edward Delaney &#124; JONATHAN MICHELS</dc:creator>
		<pubDate>Fri, 11 Nov 2011 17:59:45 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8662#comment-29689</guid>
		<description>[...] -The feature-length fallacy [...]</description>
		<content:encoded><![CDATA[<p>[...] -The feature-length fallacy [...]</p>
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		<title>Comment on &#8216;I have $5,000 &#8211; what&#8217;s the ideal documentary kit?&#8217; by Q&#38;A with documentarian Edward Delaney &#124; JONATHAN MICHELS</title>
		<link>http://documentarytech.com/?p=8558&#038;cpage=1#comment-29548</link>
		<dc:creator>Q&#38;A with documentarian Edward Delaney &#124; JONATHAN MICHELS</dc:creator>
		<pubDate>Wed, 09 Nov 2011 00:57:46 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8558#comment-29548</guid>
		<description>[...] Here are some of my favorite articles from Delaney at documentarytech.com: -What equipment can I get with $5,000? [...]</description>
		<content:encoded><![CDATA[<p>[...] Here are some of my favorite articles from Delaney at documentarytech.com: -What equipment can I get with $5,000? [...]</p>
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		<title>Comment on What&#8217;s with entry fees? by M Matusky</title>
		<link>http://documentarytech.com/?p=8763&#038;cpage=1#comment-29159</link>
		<dc:creator>M Matusky</dc:creator>
		<pubDate>Mon, 31 Oct 2011 23:34:56 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8763#comment-29159</guid>
		<description>&quot;It&#039;s a racket!&quot;  

I hosted a film festival, many years ago in Brooklyn, I do not remember the fees being charged as &quot;excessive&quot; I did sit through many films that were dreadful; it took a lot of time.  Some were great, and those were in the festival.  One filmmaker friend of mine still enters as many as he can afford, for him it&#039;s a publicity expense, press that he would never get otherwise. Is it worth it to submit?  Depends, certainly the well known festivals are worth it if you get in, but the lesser known ones are worth it if the &quot;awards&quot; mean something to you, and potential distributors/investors.

Film financing and distribution is a bit of a sham in the best of times, having a known festival accept you work does help, but if you only want to impress &quot;investors&quot; ie, someones dentist uncle in the cast, then a list of festivals in east Europe and south America may be just what you need to get the money!</description>
		<content:encoded><![CDATA[<p>&#8220;It&#8217;s a racket!&#8221;  </p>
<p>I hosted a film festival, many years ago in Brooklyn, I do not remember the fees being charged as &#8220;excessive&#8221; I did sit through many films that were dreadful; it took a lot of time.  Some were great, and those were in the festival.  One filmmaker friend of mine still enters as many as he can afford, for him it&#8217;s a publicity expense, press that he would never get otherwise. Is it worth it to submit?  Depends, certainly the well known festivals are worth it if you get in, but the lesser known ones are worth it if the &#8220;awards&#8221; mean something to you, and potential distributors/investors.</p>
<p>Film financing and distribution is a bit of a sham in the best of times, having a known festival accept you work does help, but if you only want to impress &#8220;investors&#8221; ie, someones dentist uncle in the cast, then a list of festivals in east Europe and south America may be just what you need to get the money!</p>
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		<title>Comment on What&#8217;s with entry fees? by What&#39;s with entry fees? : DocumentaryTech : The Fuse LA</title>
		<link>http://documentarytech.com/?p=8763&#038;cpage=1#comment-28982</link>
		<dc:creator>What&#39;s with entry fees? : DocumentaryTech : The Fuse LA</dc:creator>
		<pubDate>Fri, 28 Oct 2011 14:17:51 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8763#comment-28982</guid>
		<description>[...] post: What&#039;s with entry fees? : DocumentaryTech     &#171; Film Festival Gives Back &#124; Rice Communications Asia Pacific  Here comes the Singapore [...]</description>
		<content:encoded><![CDATA[<p>[...] post: What&#39;s with entry fees? : DocumentaryTech     &laquo; Film Festival Gives Back | Rice Communications Asia Pacific  Here comes the Singapore [...]</p>
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		<title>Comment on Could Documentaries Form the Core of the Cross-Platform Story Revolution? by Good Point: Could Documentaries Form the Core of the Cross-Platform Story Revolution? : DocumentaryTech &#171; Transmedia Camp 101</title>
		<link>http://documentarytech.com/?p=8734&#038;cpage=1#comment-27648</link>
		<dc:creator>Good Point: Could Documentaries Form the Core of the Cross-Platform Story Revolution? : DocumentaryTech &#171; Transmedia Camp 101</dc:creator>
		<pubDate>Sun, 02 Oct 2011 15:28:19 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8734#comment-27648</guid>
		<description>[...] Good Point: Could Documentaries Form the Core of the Cross-Platform Story Revolution? :&#160;DocumentaryTech  October 3, 2011 siobhanoflynn Leave a comment Go to comments          via documentarytech.com [...]</description>
		<content:encoded><![CDATA[<p>[...] Good Point: Could Documentaries Form the Core of the Cross-Platform Story Revolution? :&nbsp;DocumentaryTech  October 3, 2011 siobhanoflynn Leave a comment Go to comments          via documentarytech.com [...]</p>
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		<title>Comment on Could Documentaries Form the Core of the Cross-Platform Story Revolution? by Could Documentaries Form the Tent Pole of the Multi-Platform Story Revolution? : DocumentaryTech &#124; Pervasive Entertainment Times &#124; Scoop.it</title>
		<link>http://documentarytech.com/?p=8734&#038;cpage=1#comment-27642</link>
		<dc:creator>Could Documentaries Form the Tent Pole of the Multi-Platform Story Revolution? : DocumentaryTech &#124; Pervasive Entertainment Times &#124; Scoop.it</dc:creator>
		<pubDate>Sun, 02 Oct 2011 14:18:56 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8734#comment-27642</guid>
		<description>[...]  Could Documentaries Form the Tent Pole of the Multi-Platform Story Revolution? : DocumentaryTech  [...]</description>
		<content:encoded><![CDATA[<p>[...]  Could Documentaries Form the Tent Pole of the Multi-Platform Story Revolution? : DocumentaryTech  [...]</p>
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		<title>Comment on Could Documentaries Form the Core of the Cross-Platform Story Revolution? by Revolution platform &#124; Laugus</title>
		<link>http://documentarytech.com/?p=8734&#038;cpage=1#comment-27531</link>
		<dc:creator>Revolution platform &#124; Laugus</dc:creator>
		<pubDate>Fri, 30 Sep 2011 01:43:20 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8734#comment-27531</guid>
		<description>[...] Could Documentaries Form the Core of the Cross-Platform Story &#8230; [...]</description>
		<content:encoded><![CDATA[<p>[...] Could Documentaries Form the Core of the Cross-Platform Story &#8230; [...]</p>
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		<title>Comment on How things change &#8211; a look at old &#8216;new&#8217; technique by Steven Bradford</title>
		<link>http://documentarytech.com/?p=8672&#038;cpage=1#comment-26897</link>
		<dc:creator>Steven Bradford</dc:creator>
		<pubDate>Sun, 18 Sep 2011 06:06:56 +0000</pubDate>
		<guid isPermaLink="false">http://documentarytech.com/?p=8672#comment-26897</guid>
		<description>Other techniques used were double exposures on set, and also optical effects.</description>
		<content:encoded><![CDATA[<p>Other techniques used were double exposures on set, and also optical effects.</p>
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